- ADVERTISEMENT -

I’d Buy That For A Dollar: SPAWN #10 (May 1993)

[Editor's Note] If you like what we do, please consider becoming a patron. Thank you.

Become a Patron!

- Advertisement -

Welcome to ‘I’d Buy That For A Dollar’ a column where I will be exploring the weird and wonderful world of dollar bin diving. The only rule is each and every comic is purchased for one dollar (or less!).

This week’s comic is the infamous Spawn #10.

Spawn

Spawn #10
Story by: Dave Sim
Art by: Todd McFarlane
Letters by: Tom Orzechowski
Colors by: Steve Oliff & Reuben Rude

This issue was guest written by Cerebus creator Dave Sim (Cerebus was one of the longest-running indie comics in history and had a huge and controversial impact on the industry). Sim, along with Allan Moore, Neil Gaiman and Frank Miller were all brought in by Spawn creator Todd McFarlane and given an issue to write. It was news making at the time as Spawn was the biggest book in the market and all those writers were giants. What’s interesting about this issue specifically is that it’s the only one not reprinted in recent trades and collections of Spawn. So the only way to find it is in the wild world of bins!

- Advertisement -

The issues themselves were all also pretty good, with Sim’s being the weirdest. Where all the other writers sort of stuck to the Spawn mythos, Sim (ever the rebel) turned his story into a commentary on the ownership of artistic creation, specifically when it comes to comics. The whole thing is actually very clever and it’s an entertaining read too. But as a fifteen-year-old comics nerd, it went way over my head at the time it came out.

It was great finding it again in the wild and even greater reading and flipping through it with more mature eyes. Anyway, let’s take a look!

Here’s my copy. I love this cover (I love McFarlane’s black and white pencils and any chance to see them is great!)

Spawn

Next up is an early page that I think highlights how awesome those early issues of Spawn looked. There’s a great use of composition below and the colors are fantastic. It’s a beautiful page.

Spawn
Love the linework on the roman numerals and I ADORE the small Spawn image in the lower left.

The next image I want to focus on is a two-page spread the is the image I think most people will remember from this issue. If this issue is an essay, then this image is the thesis.

Spawn
Can you name all the character arms?!

It’s pretty striking and not subtle at all huh? Sim’s telling us selling your creations is literally putting them in a cage. The tied up and blindfolded just further pushes it; when you sell your creation you also make it impossible for you to ever have any say or control at all.

Pretty heavy stuff to throw in a book that was still not even a year into it’s run. In hindsight it’s was a daring fucking move and doesn’t stop there. Here’s another critical image.Spawn

Earlier I noted how much I loved these early Spawn issues. Let’s take a look at another beautiful page for the sake of the art alone. I love how colorful and alive the page feels.

Spawn

And then there are these great, small black and white moments too.

Spawn

And then we get the final image of the issue, which drives home the ownership passion once again.

SpawnSpawn #10 was a definite great find and honestly, it belongs in any solid 90s comic book collection. Grab it if you see it!


You can find great dollar bins at almost every local comic shop. So find a shop, ask a comic clerk and start bin diving!

Got your own awesome dollar bin finds? Toss them at me! 
Send emails to [email protected]
Follow me on Instagram: _idbuythatforadollar_
Tweet at me: @MannyG1138

- Advertisement -
Avatar
Manuel Gomez
Assistant Comic Book Editor. Manny has been obsessed with comics since childhood. He reads some kind of comic every single day. 'Nuff said!
@font-face{ font-family: 'myWebFont'; font-display: swap; src: url('myfont.woff2') format('woff2'); }